Founders of CSTM Fonts (2014) type foundry and a new font distributor type.today (2016). They are both graphic and type designers. Ilya Ruderman and Yury Ostromentsky (CSTM Fonts) Typefaces by Ilya Ruderman: BigCity Grotesque Pro, Kazimir, Kazimir Text, Navigo, Permian (a typeface-brand for the city of Perm) and Cyrillic versions of: Austin, Dala Floda, Graphik, Marlene, Moscow Sans (as a consultant), Typonine Sans, Thema. In 2014 he founded CSTM Fonts with Yury Ostromentsky. He has been very active as a consultant on Cyrillic since 2008. In 2007–2015 he has also supervised the curriculum in type and typography at the British Higher School of Art and Design in Moscow. In 2005-2007 he was art director for Afisha’s city guidebooks, following which he was art director for RIA-Novosti, a news agency, for several years. After completing the program, he returned to Moscow, where he has collaborated for a number of media: Kommersant, Afisha, Moskovskiye Novosti, Bolshoi Gorod and Men’s Health Russia. He has a MA degree in type design from the Type & Media program at the Royal Academy of Art in the Hague (2005). He is a graduate of the Moscow State University of the Printing Arts (2002), where his graduation project was done under the supervision of Alexander Tarbeev. Ilya is a type and graphic designer and teacher, lives and works in Barcelona. ![]() Typefaces by Christian Schwartz: FF Bau, Farnham, Graphik, Guardian, Neue Haas Grotesk, Kommissar, Neutraface, Produkt, Stag Also in 2007 Schwartz was awarded the prestigious Prix Charles Peignot, given to designers under 35 years of age for “outstanding contributions to type design.” He has been on the short list of the Museum of Design, in London, as Designer of the Year and was rated among the top 40 most influential designers under 40 years of age by Wallpaper* and on Time’s list of top 100 designers. The studio’s projects include typefaces for The Guardian, Esquire, T (The New York Times Style Magazine), the Empire State Building and Sprint. In 2007, he and London designer Paul Barnes founded Commercial Type. After returning to the United States, he worked at type studio Font Bureau, going independent in 2001. A graduate of Carnegie Mellon University in Pittsburgh, Pa., he worked for a time at MetaDesign in Berlin. Apart from the studio practice she has been teaching at KABK since 2002 and has been a guest tutor, leading workshops and giving lectures throughout Europe.Ĭhristian Schwartz, a type designer and one of the founders of the type foundry Commercial Type, lives and works in New York. She was a founding member of the design collective Open Work in 2014. Тhe studio focuses on reading experiences, from printed matter to screen based media, from typefaces to intricate typographic structures. She founded Atelier Carvalho Bernau in 2005 with her partner Kai Bernau. She defended her thesis “Counterspace: Classroom Space as a Pedagogic Tool” in March 2019. ![]() Recently her interest in education led her to pursue a MEd in Education in Arts at the Piet Zwart Institute in Rotterdam where she researched the potential of space as a pedagogical tool in the graphic design classroom. In 2004 she moved to the Netherlands to complete the TypeMedia MA programme at the Royal Academy of Art in The Hague (KABK). Content Source: typographydocs/font-list/Neue-Haas-Grotesk-Text-Pro.Susana Carvalho (1979, Porto, Portugal) studied communication design at the Faculty of Fine Arts at the University of Lisbon (FBAUL).Content: Neue Haas Grotesk Text Pro font family - Typography.It is required for ➟ GitHub issue linking. Please update this information on "Change list" section. ![]() Neue Haas Grotesk Text Pro Black Italic.Neue Haas Grotesk Text Pro Light Italic.Neue Haas Grotesk Text Pro ExtraLight Italic.Neue Haas Grotesk Text Pro UltraThin Italic.The font is now introduced as a variable font (NHAASGROTESKTXPRO-RG.ttf) and added the following weights: Hi, I've noticed a change in Neue Haas Grotesk Text Pro font on Windows 11.
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